![]() ![]() The movies he made in England contain themes and stylistic choices that he frequently revisited, but they also stand apart for their comic tone and uniquely British preoccupations with class, international conflict, and cricket. But Hitchcock was clearly an established filmmaker with a long list of credits before his move to L.A. Hitchcock would transition from British curio to Hollywood institution in 1939, when he signed a seven-year contract with David O. The photography, the paper lamented, “was seldom up to American standards.” When Hitchcock visited New York in 1937, the Times spent an entire paragraph relaying the origins of British rhyming slang, which the director explained over brandy at the 21 Club. “The diction of the players is very English, but none the less pleasing and suitable to the chronicle,” The New York Times noted in its review of Hitchcock’s Blackmail, his first feature-length “talkie” to hit England. press, which never failed to highlight his foreign difference. Lejeune wrote, “Alfred Hitchcock is the first national institution, along with the ‘Cheshire Cheese’ and the Savoy Grill, that itinerant American journalists demand to see.” The director had, by that point, helmed 20 feature films overseas, highly stylized hits that had turned him into an object of fascination for the U.S. ![]()
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